Son of an African slave and a French farmer, Joseph Bologne, Chevalier de Saint-Georges, achieves an unthinkable position in society as a famous violinist, composer and fencer, in addition to experiencing an ill-fated love affair.
ٹریلر
کاسٹ
Stephen Williams
Director
Kelvin Harrison Jr.
Joseph
Samara Weaving
Marie-Josephine
Lucy Boynton
Marie Antoinette
Ronke Adekoluejo
Nanon
Marton Csokas
Marquis De Montalembert
Alex Fitzalan
Philippe
Minnie Driver
La Guimard
Sian Clifford
Madame De Genlis
Henry Lloyd-Hughes
Christoph Gluck
Jim High
George Bologne
Ben Bradshaw
La Boessiere
Alec Newman
Poncet
Martin Matejcik
Alexandre Picard
Sam Barlien
King Louis XVI
Jessica Boone
La Arnould
Tereza Mátlová
La Levasseur
Joseph Prowen
Mozart
Vanessa Gendron
Woman in the Front Row
Stefani Robinson
Writer
آپ کو یہ بھی پسند آ سکتا ہے
Chevalier
Flamin' Hot
Robert the Bruce
Rustin
My Destiny
Extraordinary Birder with Christian Cooper
Genius
Victoria
Carême
Strange Angel
Self Made: Inspired by the Life of Madam C.J. Walker
Women of the Movement
A Small Light
The New Look
Death by Lightning
Mrs. America
Franklin
George & Tammy
A Small Light
Gaslit
The Crown
Borgia
Rise of the Raven
The Spy
تبصرے
10 تبصرے
source: Chevalier de Saint-Georges
The story of Chevalier is a wonderful one that needs to shown on screen. The costumes and the art direction are excellent. But that's it. The script is appalling. And herein lies the problem with Chevalier. From the first scene with the duelling violins ( which is nonsense and didn't take place) it goes downhill with nods to slavery, women's rights, populism, etc When you compare this to Amadeus released nearly forty years ago which was a cinematic high mark at the time with multiple Oscar wins, there is no comparison. The broad strokes of the script have the makers of Chevalier trying to repaint the Mona Lisa with a catapult. Such a crushing disappointment.
A ridiculous piece of propaganda turning a well-known and accomplished compose snd socialite into a leader if BLM movement in pre-revolutionary France. With a total disregard of not only historical truth but a basic common sense. A French marquise ordering champagne at the bar in what looks like a British pub is a particularly dreary scene. Buena Vista Social club set in 1787 Paris is also an achievement. How do such movies get funded and then path editorial boards? The last and best non-sense in this parade of ignorance, stupidity and naivete is the post movie message that the music of the protagonist was personally banned by Napoleon. Of course!
